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    Well, okay...

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    I am the speechless writer, I guess, but that doesn't have to be the case, I can still do it very often on all the god who doesn't exist damned planes of existence, my fingers fly over the keys and articulate the mild needs and nonsense of a stumbling winter.

    Happily pondering with dark shadows on the strawberry cake of existence. I don't feel like laughing or proving anything, I just want to troll along until the earth depopulates itself in slow motion and becomes depraved like the heart of things, listening to which is meanwhile an abomination to me.

    Of course I'm here for you, of course I'm here for you, it's all in the Birdcage and that's how it should be.

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    My inner self takes stock and is still paralyzed by the imponderables, I open one of those late harvest bottles pregnant with memories, ejaculate in Tina and think of chestnuts.

    Neither of them has contacted me during the week; it is a (holiday) week without substance. I should expand, consolidate, rework my (Blog) network, develop one or two never-thought-of centers beyond this personal place, but I am still failing a little because of the diverse visions of yesterday.

    Suddenly going for realism, partly because of a changed situation and fewer options, is not my thing. I feel like one of Nick Hornby's everyday neurotic heroes, and I'm so jealous of the successes of young, new, unconventional writers that I want to do that too. I want to take the mined poetic mandala of the nineties into a new era. I have the great benefit of glittering like a never-discovered gold treasure, like an extremely expensive Onlyfans locker.

    Everything thaws inside me in genderfluid book form, the frozen and the burned loves and desires, my hair turns snow white like the noise in my brain as a protest march. I learn that there is also pink, brown and red noise, maybe someday an invisible too, and I grope my way sideways towards my Kaliyuga.Rocks, which I paid for separately. Out of the wait for Anythinginanutshell, I must admit.

    It begins with Joseph Beuys' "Everyone is an artist" and expresses the fluid reality, this Schrödinger galaxy of confused ego planets, full of stamps. I work with the material that is given to me, with the effects and deconstructions of the present, with the projection into a world that will soon be tomorrow.

    The conflict between democratic, ethical, religious, autocratic, financial and philosophical values explodes in our astonished mouths. While in the Wonderland obsessions, hat making and the like I try to hide in the Rabbit Hole, Oz or the collective unconscious, taking others with me so as not to wither away alone, working through and reflecting on what is happening and what threatens or tempts to become of it is a different but essentially the same coin.

    I push concrete facts forward, beyond dystopia or utopia, sometimes going in circles or backwards, but what I make of it is self-sufficient.

    Not even the Hindus show agreement about the Kaliyuga, its duration and meaning. I love Crowley's dark warning, which I picked up in my youth, that the transformation process would mean many thousands of years of chaos, and that the phases of relaxed paradise were a human illusion due to our short lifespans.

    Today I'm turning this youth brand into a Rocks supplement because I can. I'm thinking of The Verge or Wired or whatever good, strong online content making is out there, I'm getting lots of different inspirations and perspectives on board, but I'm also sticking with the explanations of change-crazed Demand Editions presented in Multipurpose and in the more dedicated to Bloging or writing. With a dynamic that's based on the gaming industry.

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